The Roland SPD-SX is arguably the most popular drum sampling pad around.
Drummers from all over the globe have been using this drum pad and the prior iteration, the SPD-S, for many years to integrate electronic sounds into an acoustic setup.
Today we’ll be taking a look at the SPD-SX in detail, looking at the core features, applications, and what to expect upon first use.
Table of Contents
WATCH: My video review of the SPD-SX after 5 years of use.
Top-of-the-Line Sample Pad
The Roland SPD-SX is the flagship sampling pad available to drummers featuring three FX engines, tons of great sounds, and 4GB of internal storage.
Overview of the SPD-SX
The Roland SPD-SX is Roland’s “most advanced percussion pad” featuring nine velocity-sensitive zones, allowing you to play samples or loops with ease.
Import Your Own Samples with 4GB Storage
Under the hood, there are three multi-effects engines, tons of included sounds, and 4GB of internal storage.
Whether you like the pre-packed samples or not, you also have the option to import custom WAV samples from either your library or somewhere like Splice.
Imported samples don’t only have to be the sounds of instruments. They can also be full-blown backing tracks.
The recorded samples included are very much usable, but I love the option to import your samples via USB or using Roland’s Wave Manager software.
I also love processing samples inside Cubase with plugins, like Soundtoys for example, prior to importing them to my SPD-SX.
Programming kits is a simple process and the SPD-SX provides us with 100 kits to edit to our liking.
Excellent user experience
Changing kits is as simple as pressing either the plus or minus button on the front of the sample pad. The kits load relatively fast, and I haven’t experienced any lag issues like I used to with the SPD-S.
You’re not limited to changing kits with just the plus and minus button either. The top left and right shoulder pads on my SPD-SX are programmed to choose the kit I’m on. It works great and is very intuitive.
I typically have a different sound configuration for each song in our setlist. The SPD-SX allows me to have different electronic or sampled sounds to match the album recording to the best of my ability.
One of the added benefits of having different kits for each song is that the SPD-SX can act as a setlist for your show.
As you move through the set, you can name each kit the respective song title to know what song is coming next. Very useful!
SPD-SX is Powerful with a DAW
The SPD-SX is very simple to use alongside a DAW. Before adapting backing tracks into our setup, I used the pad as you usually would with a DI box.
For our backing tracks set up, I needed something that allowed me to start and stop songs reliably. The SPD-SX was perfect for this application.
No Crosstalk Issues
For example, some percussion pads can suffer from an issue called crosstalk. The concept is simple: hitting one pad may accidentally cause another pad to fire unexpectedly.
Crosstalk can especially be terrible if some of your pads are STOP and START triggers for your playback system. My SPD-SX has never had any crosstalk issues.
The pad I had prior, the SPD-S, had tons of crosstalk issues which led me to perform surgery on the sampling pad many times a year to minimize these issues. I eventually had to cut my losses and upgrade, despite the fear of the new pad suffering from the same problems.
Ins and Outs
The SPD-SX features two analog inputs, two analog outputs, two sub outs, a 1/4″ headphone input, MIDI in and out, USB MIDI, a 1/4″ footswitch input, and 2 1/4″ TRS trigger inputs for additional pads.
With my SPD-SX, I use two extra Roland PD-85 pads; one is to my right, and one is to my left. These two pads allow me to have access to the sounds on the sampling pad without having to move all the way over to the unit, which typically sits to my right above the floor tom.
In addition to the two pads, I had a MIDI percussion controller, namely the malletKAT, that would sit under my SPD-SX. The malletKAT fed MIDI data into the SPD-SX and then was able to send all that information to my laptop which ran Ableton Live.
The computer took care of all backing tracks and all my samples during a show. It’s compelling the things you can do with today’s technology.
My setup was a bit too extravagant, but it didn’t need to be. You’ll be happy right out of the box, I guarantee. I just had some specific needs that required a little more.
The pad plays very nicely with other Roland products (and can integrate easily with other MIDI devices). One typical configuration is the use of the SPD-SX alongside a TD-30 drum kit and module.
With the great out of the way, the SPD-SX does not support a hi-hat controller. The FD-8 would be the go-to choice for those looking to add one, but sadly, it will not function with the SPD-SX.
For an application like this, you’ll need the SPD-30, which has limited functionality in comparison.
The Feel of the Pads
Let’s talk about actually playing the SPD-SX. It feels fantastic. Compared to the SPD-S, the newer pad from Roland knocks it out of the park.
The best way I can describe the feel is it’s like you’re playing a high-grade practice pad, like the RealFeel pad from Evans. Do yourself a favor and check one out at your local music store to get a feel for it.
The SPD-SX (as well as other similar pads, like the Alesis Strike MultiPad) isn’t wholly ergonomic. The zones are a little close together, and it can take a slight adjustment and practice to become comfortable with the pad.
More niche companies like Alternate Mode have designed percussion pads, like the DrumKat Hybrid, which are much more focused on playability and ergonomics.
Unfortunately, most of these products aren’t user-friendly and often require multiple pieces of hardware to function, so keep that in mind if you’re curious.
The motherboard issue
Many other drummers and I included have felt the pain of a failing SPD-SX. The problem? The power button no longer functions, and the SPD-SX refuses to turn on.
When I’ve had this problem, I frantically press the power button in hopes that it will eventually work and I won’t miss soundcheck. So far, it’s worked in every case where I’ve had trouble. It just takes a few minutes to turn on.
There’s nothing worse than fearing a failing piece of hardware in a system so integral to a live performance. Maybe this is a lesson to keep things simple.
It’ unclear to me if Roland has addressed this recently or if they’ve worked out the quality control issues of the ones currently shipping, but it is a pretty big deal I’m afraid.
I’m also not saying this will happen to you, but it is a valid concern for anyone considering the SPD-SX.
Who Can Benefit from Using the SPD-SX?
For many drummers, the idea of using a sampling pad may seem like a novelty.
Do you need to have an electronic snare sample in the second verse of that song?
Probably not, to someone arrogant about unnecessary complexity.
I don’t think you should restrict yourself to not having it, however.
For drummers who want to get a little more creative with sounds and samples, electronic drum pads are the way to go.
Whether you choose the SPD-SX or the Strike Multipad, you’ll have a blast in the process setting up and playing the pad.
I’ve been using sampling pads for the better of the last five years; I think they’re great.
Adding extra hits, claps, percussion, and other sounds to our live show make it more fun and exciting to me as a performer and to the audience.
If you’re on the fence, head to your local music store and ask to play around on one. I think you’ll be pleasantly surprised at how much fun you can have using the SPD-SX.
What do you think of the SPD-SX and sampling pads in general? Do you own one? Be sure to let us know down below in the comments! Thanks for reading!
The Roland SPD-SX stands alone in comparison to other sampling pads available today. There’s a reason that it has become one of the most widely-used drum pads by both professional touring drummers and beginners.